Everything the artworld doesn't want you to know

Everything the artworld doesn't want you to know

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Everything the artworld doesn't want you to know
Everything the artworld doesn't want you to know
65,000 Years: A Short History of Australian Art
Art Column

65,000 Years: A Short History of Australian Art

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John McDonald
Jul 03, 2025
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Everything the artworld doesn't want you to know
Everything the artworld doesn't want you to know
65,000 Years: A Short History of Australian Art
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Minimini Numalkiyiya Marika, Macassan prau with three figures, waves and sea creatures, (c. 1941–45)


As a title, 65,000 Years: A Short History of Australian Art, is heavily ironic. It’s obviously not possible to have a show of Aboriginal art that stretches back 65,000 years. At that time, Australia, New Guinea and Tasmania formed a single land mass. The ancestors of today’s Aboriginal people are believed to have crossed a narrow land bridge from what is now South-East Asia.

If one burrows deeply enough into the past it’s difficult to say that any group of people “owns” a particular place, such is the turmoil of migration and conquest. But for the purposes of this show, 65,000 years is an impressive title deed. It sure beats 237 years, the time that has passed since the arrival of the First Fleet.

This exhibition has been a long time in the making, and the expectation was that we’d see a landmark survey of Aboriginal art. What we have instead is largely a history lesson, presented with a polemical slant. There are fascinating images and artefacts, and some high-quality paintings, but the selection of recent material feels random, as if the curators were ticking a box rather than searching for the very best examples of an artist’s work.

Emily Kame Kngwarreye, State of My Country (1990) - hung vertically in 65,000 Years!

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